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It was thanks to my son Kenji, who is a pianist, that I discovered the Taubman Approach in 1994. Having injured himself, he reworked his technique by studying with Golandsky Institute cofounder Edna Golandsky. I decided to accompany him in this endeavour, because he told me that the Taubman Approach would allow me…


… To play with more enjoyment, better control and greater ease

… To solve some technical limitations

… To practise more effectively

… To experience less stress

… To have more endurance to practise

… And to overcome the fear of injury.


I can say that I now play with a lot of pleasure, because I have finally acquired – thanks to the Taubman Approach – the tools that make it possible to find solutions to technical problems.


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